Alice in Wonderland
Starring: Mia Wasikowska, Johnny Depp, Helena Bonham Carter, Anne Hathaway and Crispin Glover
Genre: Adventure, Family, Fantasy
Director: Tim Burton
Rated: PG
A 19-year-old Alice returns to the place in her dreams wonderland and finds out she is the lands champion and the only one can stop the Red Queen.
Alice (Mia Waskiowska) attends an upscale garden party and learns that she is about to be proposed to by Hamish (Leo Bill) the son of one of her late fathers business partners while Hamish proposes Alice spots the white rabbit and chases after him leaving Hamish and the guests to wait. Alice soon falls into the rabbit’s whole and starts the quest that will lead her to her destiny, to kill the Jabberwocky and put an end to the red queens reign. Along the way she meets the familiar character such as the Chesire Cat(Stephen Fry) and Tweedledee and Tweedledum(both by Matt Lucas) as well as the Mad Hatter (Johnny Depp)
The Film has the visual look that at this point is standard Burton, what 15 years ago might have been considered revolutionary is now his signature style. Depp as the mad hatter puts on a funny voice and wears a wig and a lot of makeup, while he does his usual performance which is better than almost anyone else’s it feels at this point that we have seen this one already especially after his performance in Charlie and the chocolate factory.
The film is entertaining but feels like Burton played it a bit safe if the film was a little darker and not confined to a Disney PG rating, Burton might have created something truly special unfortunately it doesn’t reach that level and instead gives exactly what we expect and nothing more. It feels as though Tim Burton has in the words of the Mad Hatter “lost his “muchness”. Grade-80
Cop Out
Starring: Bruce Willis, Tracy Morgan, Guillermo Diaz, Adam Brody and Kevin Pollack
Genre: Action, Comedy, Crime
Director: Kevin Smith
Rated: R
Long time NYPD cop Jimmy Monroe (Bruce Willis) needs to pay for his daughter’s wedding his only hope is to sell a rare baseball card handed down to him from his father; When it gets stolen he and his partner Paul Hodges (Tracy Morgan) must hunt it down and get involved with a baseball obsessed gangster who intends to take over the New York drug trade.
Cop Out is the first film directed by Kevin Smith (Clerks, Mall Rats, Chasing Amy) that he has not written the script for. Gone are the overly long soliloquies and dialog heavy small films that have become Smith staples. It’s nice to see Smith branch out of his comfort zone and pay respect to the buddy cop genre of film. From the opening minutes which jump from an interrogation scene laden with clichéd cop movie quotes being thrown out by Morgan while Willis names the film to the “bust gone bad” scene to the “police chief takes the badge and the gun while chewing them out scene” you know that this is a movie that is in on the joke.
The music screams Beverly Hills’ cop 2 and the music is pulled straight out of the 80’s. Everything about Cop Out is a loving tribute to the genre.
Morgan (who shows that he can be a star when he rained in just a little bit,) is hilarious as Hodges particularly when he is paired against the intentionally obnoxious small time thief Dave (scene stealer Sean William Scott). Willis (in one of his best roles in recent memory) plays off the stereotypes he has helped create and adds not only humor but some heart to the story; as the cop who just wants to be a good father and not look like a jerk compared to wealthy stepfather Roy(Jason Lee). Gone are the one line wise cracks of the rogue cop version of Willis and in its place is the unforced banter between partners that feels more natural and much funnier.
Paying homage to the buddy cop movies of the 80’s Smith hits every synthesized note. Grade-84
Starring: Timothy Olyphant, Radha Mitchell, Joe Anderson and Danielle Panabaker
Genre: Action, Drama, Horror, Sci-Fi
Director: Breck Eisner
Rated: R
The inhabitants of a small Iowa farm town are suddenly turning Violent and insane after the water supply becomes contaminated when a government plane crashes.
Timothy Olyphant stars as small town sheriff David Dutton who after gunning down a towns member during a baseball game begins the search to discover what is causing the changes in the local town folk. When the government quickly descends upon the town to contain the outbreak, David must save his wife (Radha Mitchell) while at the same time evade the military and the local “crazies”
Although the title might lend itself to some lowbrow straight to DVD zombie splatter fest, that couldn’t be further from the truth. This remake of the 1973 film of the same name is More psychological than in your face gore there is an excellent build up of tension amid the confusion of what is happening to the small town. Not knowing who has become infected or with what, while being hunted simultaneously by the military and the sick locals allows each scene to build upon the previous one without feeling like it’s just a set up for a cheap scare.
Olyphant is stellar as usual (for the life of me I cannot understand why he isn’t a bigger star) pulling off the role of the small town sheriff with the same swagger he brought to his role in “Deadwood”. The best part of the entire concept is that the water is polluted you don’t become infected by a bite and you never see who has drank the contaminated water.
Smarter than it needed to be the crazies is a movie that is much better than its title.
The inhabitants of a small Iowa farm town are suddenly turning Violent and insane after the water supply becomes contaminated when a government plane crashes.
Timothy Olyphant stars as small town sheriff David Dutton who after gunning down a towns member during a baseball game begins the search to discover what is causing the changes in the local town folk. When the government quickly descends upon the town to contain the outbreak, David must save his wife (Radha Mitchell) while at the same time evade the military and the local “crazies”
Although the title might lend itself to some lowbrow straight to DVD zombie splatter fest, that couldn’t be further from the truth. This remake of the 1973 film of the same name is More psychological than in your face gore there is an excellent build up of tension amid the confusion of what is happening to the small town. Not knowing who has become infected or with what, while being hunted simultaneously by the military and the sick locals allows each scene to build upon the previous one without feeling like it’s just a set up for a cheap scare.
Olyphant is stellar as usual (for the life of me I cannot understand why he isn’t a bigger star) pulling off the role of the small town sheriff with the same swagger he brought to his role in “Deadwood”. The best part of the entire concept is that the water is polluted you don’t become infected by a bite and you never see who has drank the contaminated water.
Smarter than it needed to be the crazies is a movie that is much better than its title. Grade-82
Shutter Island
Starring: Leonardo DiCaprio, Mark Rufalo, Ben Kingsley, Max von Sydow, Michelle Williams
Genre: Mystery, Thriller, Drama
Rated R
Director: Martin Scorcese
Set in 1954 Shutter Island is the story of US Marshall Teddy Daniels, (Leonardo DiCaprio) who travels to a remote island of the same name off the state of Massachusetts that houses the criminally insane. Teddy is there to investigate the disappearance of an inmate who has mysteriously vanished without a trace.
Teddy shows up with a lot of baggage, he is haunted in his dreams by the death of his wife and from participating in the liberation of a concentration camp in WWII. He is teamed up with a new partner Chuck Aule(Mark Ruffalo) who has a penchant to for referring to Teddy as Boss. Together the pair meets Dr. Cawley (Ben Kingsley) who runs the Hospital and believes that there are other ways to heal the mentally ill besides Lobotomies and Drugs while his head Doctor, Dr. Naehring (Max von Sydow) believes in those more conventional methods.
Teddy believes that there is more going on than anyone is willing to tell. With a hurricane approaching the island and no way to leave, Teddy searches for the truth of whether the island is strictly a hospital or if there is far more sinister work being done.
DiCaprio (in his 4th teaming with Scorsese) is excellent as usual with Teddy slowly building up agitation amongst the stories many twists and turns. The atmosphere of the film is fantastic harkening back to the era when Hitchcock was king.
The film is one that requires a lot out of the ending to make the story work especially given the lengthy amount of dialog and the two hour and eighteen minute running time; although you can see the ending coming a mile away it is the final twist that makes it worthwhile and elevates it, without this Shutter Island would just be an interesting moody ride.
The biggest problem with Shutter Island is the Scorsese pedigree it is forced to live up to. For some reason more than any other director, every film Marty puts out is over scrutinized and compared to his classic works. The people that don’t like this film are going to site his other films and say this doesn’t compare rather than strictly judge this film on its own merits. Grade-86
The Wolfman
Starring: Benicio Del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving
Director: Joe Johnston.
Genre: Horror, Thriller
Rated: R
When his older brother is murdered by what is presumed to either be an insane man or some form of wild animal younger brother Lawrence (Benicio Del Toro) returns from America to his family home in England to find out what really was the cause of his brother’s death.
The Wolfman is another in the recent string of Universal Studios reboots. Universal the Studio that is rightfully proud of their Horror film history as anyone who has been on the studios back lot tour can attest, tries to get some fresh mileage out of one of there all time classic horror icons “The Wolfman”. Loosely based on the 1941 original starring Lon Chaney Jr. This time it is Benicio Del Toro filling the lycanthropes shoes.
Del Toro comes home to his estranged Father Sir John Talbot (Anthony Hopkins) and Gwen Conliffe (Emily Blunt) the bereaved wife of his slain brother and Sir John’s man servant Singh (Art Malik). Hopkins, who from the home furnishings is a worldly traveler and former big game hunter, has no emotional connection to anyone in the film. Del Toro while searching the moors to find information on what happened to his brother is attacked by the Wolfman and becomes one himself. Soon he is being tracked by Abberline (Hugo Weaving) a Scotland Yard investigator who plans on ending the mystery of whom or what is killing the local people.
Universal needs to stop trying to cash in and besmirch the legendary horror history of an icon such as the Wolfman. This is one of the worst reboots ever made. Both Anthony Hopkins and Del Toro appear to have been forced into this movie; it’s as if they know what they are doing is a hack job but are contractually obligated and cannot quit. From the get go it is clear that the entire cast is uninspired and knows that this film is doomed. Del Toro is woefully miscast and delivers a performance that requires at least a modicum of emotion; instead he delivers a blank stare that would make Keanu Reeves proud. Hopkins is beyond awful zigzagging between “I don’t want to be in this film” to “let me see how much I can overact”, at this point in his career he should know better.
Rather than create any feel of terror or dread Director Joe Johnston instead decides that some prop entrails and some poor CGI are all that is needed. One of the most crucial aspects of any Wolfman film is the transformation and this one is a disappointment, I would hope that in the 29 years since Rick Bakers genius transformation of David Naughton in “An American Werewolf in London” that he would have some improvement instead we are treated to some CGI transformation straight out of the Scyfy network (being a fan of Rick Bakers this is the biggest disappointment of all). The real sin is that once the transformation is complete we have a Wolfman that looks just like the 1941 original.
The whole point of remaking a film is to use the latest technology and techniques to create a version of the film that is superior to its predecessor. Universal happy to rape there own history, instead created a version that could have only been done to revamp the Van Helsing maze in there theme park. Grade-50
1. Alice in Wonderland $116.3M
2.Brooklyn's Finest $13.5M
3.Shutter Island $13.3M
4.Cop Out $9.1M
5.Avatar $7.7M
6.The Crazies $7.0M
7.Percy Jackson & the Ol… $5.1M
8.Valentine's Day $4.3M
9.Crazy Heart $3.4M
10.Dear John $2.9M
This weeks DVD Releases
Up in the Air
Old Dogs
Boondock Saints 2: All Saints Day