Archive for January, 2011

The Kings Speech

Starring: Colin Firth, Geoffrey Rush, Helena Bonham Carter

Director: Tom Hooper

Rated: R

The Tale of King George the VI and his unanticipated ascension to King while at the same time overcoming a lifelong speech impediment.

The Kings Speech is one of those acclaimed films that you are expected to love. The story starts with Albert (Colin Firth) giving a speech on behalf of his father King George the V. To say that this doesn’t go well is an understatement “Bertie” has a bit of a stammer and comes across as a weak person completely incapable of leading anything. Enter Lionel Logue(Geoffrey Rush) as a speech therapist who’s unorthodox techniques lead Bertie to confront his insecurities and believe in himself.

Bertie’s insecurities are rightly justified having grown up with a stammer and being the constant source of ridicule, combine that with the fact that he was not the rightful heir to the throne, this unexpected responsibility is thrust upon him only when his brother King Edward the VIII (Guy Pierce)renounces the crown to marry a twice divorced American socialite.

There is a point when Bertie is watching Hitlers Nuremberg rally speech that you truly realize the gravity of his situation, England is on the cusp of going to war with Germany and on one side is Hitler galvanizing his nation through will and charisma on the other is Bertie who couldn’t whip a cappuccino into a froth. History tells us that eventually it will all turn out well in the end but you can’t help but root for Bertie to get his stuff together.

The acting is superb Colin Firth does give an academy award winning performance, Rush is solid as usual and Helena Bonham Carter conceals her inner crazy and delivers a strong performance as Berties better half.

While overall I think it’s being gushed upon more than it deserves (the performances are better than the sum of their parts) its strong cast and even stronger performances make it an enjoyable film.

In the end The Kings Speech is a story that everyone can relate to, a man thrust into an impossible situation who must believe in himself to overcome what is holding him back.

Grade-84

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In The American, George Clooney plays a man who may or may not be named Jack or Edward. He deals out death for a living, and when he’s not pulling the trigger himself, he’s not opposed to helping others do so. After what we can assume was a long, weary life of killing, he travels to Italy for one last job.

You may think you’ve seen this film before. The story of a tired hitman pulling once last job has been told many times before. It’s never been told like this. The opening scene is proof of that.

Never has the hitman life been painted as such a bleak and miserable existence. In every hitman film, even the films aiming for a realistic portrayal, there’s always an element of romanticism involved in being a contract killer. Not this time. Jack is sad, lonely, and paranoid. You’re really left to wonder if there’s anything redeeming in what he does. There’s a scene earlier in the film, during the credits, where Jack drives through a tunnel. Throughout the entire length of the tunnel, he never passes another car. Intentional or not, this is representative of Jack’s life. He is alone. There is nobody else. Whenever he attempts to remedy this, it ends badly.

George Clooney is wonderfully subdued for the entire film. This is the Clooney that should have played Batman, instead of the Clooney who played Dr. Douglas Ross from E.R. On paper, the lack of dialogue and the amount of brooding that he does sounds like a bit much, but his performance coupled with the simple direction of Anton Corbijn make for a mesmerizing effect. There wasn’t a single moment in which I was not completely absorbed in this character.

The film’s narrative is as focused as Jack himself. He spends a large portion of the run time crafting a custom weapon for a fellow assassin. He’s as methodical in his construction as Corbijn is in his directing and Joffe is in his screenwriting. The pacing and plot are painstakingly crafted. Everything happens as it should, when it should, all the way through the film’s logical conclusion.

The American is a not a film for everyone. The trailers were misleading, depicting something filled with action, when in reality the film has nothing in common with the genre. This is a character piece with as much suspense as the best of thrillers and, from where I’m standing, as close to perfect as films get.

“Our guest writer, Dylan Duarte, is a horror buff and writer who writes about Halloween costumes. He can be reached at dylnduarte@gmail.com.”

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. No Strings Attached
Starring: Natalie Portman, Ashton Kutcher, Kevin Kline, Lake Bell, Jake Johnson and Chris Bridges
Director: Ivan Reitman
Rated: R

Emma (Natalie Portman) is an aspiring doctor with emotional hang-ups who doesn’t have time for a relationship. After Adam (Ashton Kutcher) gets dumped Emma makes a pact with him to not burden each other with romance and strictly have a physical relationship.

From the poster you know everything you need to know about the movie, this one picture says it all. It’s clearly the morning after an encounter Natalie Portman is looking cute and not at all sexy showing absolutely nothing while Ashton Kutcher has the cheesy grin of a guy that knows he hit the jackpot on a ridiculous concept.
There is nothing new or shocking in No Strings Attached, you know they hook up but eventually one of them will develop feelings for the other. They will quickly break up only to realize they are meant for each other and have fallen in love. A story as predictable as this needs a hook, something to get people’s attention. I can only assume that casting Natalie Portman in a sexed up role was supposed to be that. The problem is that the sex scenes are G rated and this comes right after Black Swan, I can’t think of a person on earth that would not rather watch her with Mila Kunis than Ashton Kutcher.

What really stands out is casting Portman against type opposite Ashton Kutcher this pairing only points out that Ashton isn’t really that talented of an Actor and thinks he is far more charming and funny than he comes across (Kutcher is quickly becoming the male Jennifer Anniston, Studios keep putting him in movies determined that he is a star when the reality is audiences beg to differ). The other issue is that No Strings Attached try’s way too hard to be an edgy hipster comedy when it just isn’t. There is one scene that is so unbelievably stupid it borders on infuriating. 3 Doctors lying around in their apartment on synchronized periods all in their pajamas in the middle of the day acting as if they have the flu, Shira (Mindy Kaling) even has an ice pack on her crotch, the only thing that saves them is Sprinkles Cupcakes It’s this type of envelope pushing forced humor that leaves the audience staring expressionless wondering did this just really happen? Is talking about a period so shocking in 2011?

The two best characters in the film are not even Portman or the Kutch but Chris “Ludacris” Bridges as his Bar owning friend and Lake Bell as the high strung and awkward Lucy (Who has the sexiest scene of the film which is her standing in her bra) The two contribute more laughs than everyone else combined. Add to the mix Kevin Kline as Alvin, Adams dad who is a former TV star still trying to stay young and you end up with a film that has all the pieces for funny but just can’t quite put the puzzle together.

No strings attached connects the romantic comedy dots easily, at times it is enjoyable it’s just not original or all that funny.

Grade-78

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The Green Hornet

Starring: Seth Rogan, Jay Chou, Christoph Waltz and Cameron Diaz

Director: Michel Gondry

Rated: PG-13

The big screen adaptation of the original radio serial and the television show that introduced America to Bruce Lee.

Seth Rogan stars as “Britt Reid” the irresponsible son of James Reid (Tom Wilkinson) owner and editor of “The Sentinel” newspaper. When James unexpectedly dies, Britt soon finds his world about to change, he finally meets the person who makes his coffee and works on his dad’s extensive auto collection “Kato” (International superstar Taiwanese Musician/Actor Jay Chou). After a prank turns into an exciting session of vigilante justice, Britt and Jay create the persona of the Green Hornet who under the guise of being bad guys will secretly be good guys. Britt’s new role with the Sentinel quickly raises the ire of District Attorney “Scanlon” (David Harbour) while his antics as The Green Hornet garner the attention of Los Angeles crime lord “Chudnofsky” (Christoph Waltz)

The Green Hornet is a surprisingly fresh take on the Super Hero movie not since Kick Ass has a movie been able to include equal doses of both humor and action (Although Kick Ass was of a much darker, less family friendly variety).

Rogen doesn’t quite possess the physique of a crime fighter nor does his history as a spoiled playboy lead one to believe that he would possess the skills needed for vigilante justice. The workaround for this is Kato who does all the fighting that requires any modicum of skill as well as create the tricked out cars known as the “Black Beauty”

Rogen and Chou play well off of each other while trying to figure out what to do in their new roles as the Green Hornet and his sidekick. Aside from finding masked vigilantism fun and exciting they don’t really have a clue as to how to go about it. Christoph Waltz proving that he deserves to be known for more than just his Academy Award winning performance in Inglourious Basterds stars as the main heavy Chudnofsky, the Villian who is irritated that no matter his actions somehow he can’t come across as the imposing figure he wants to be.

Waltz is unexpectedly funny as Chudnofsky constantly updating his persona, Rogen doesn’t disappoint with the laughs and doesn’t try to be something he isn’t, Jay Chou fills the shoes of Kato nicely, kicking the crap out of people in a way that would make Bruce Lee proud; While Cameron Diaz is used to a bare minimum without any of her usual manic cackling.  Although for the life of me I cannot figure out how Hollywood is still trying trick America that she is still hot when not using soft lighting and a long shot.

The Green Hornet is funny without being cheesy with action that delivers, it’s a summertime popcorn movie delivered in January.

Grade-87

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The Company Men

Starring: Ben Affleck, Chris Cooper, Kevin Costner and Tommy Lee Jones.

Director: John Wells

Rated: R

Revolving Around Three men who have recently been laid off and the impact it has on them and their families.

While 2009’s “Up in the air” brought us our first real mainstream film with a central plot point being the current economic recession, that was more of an outside view with nary a glimpse into the personal lives after they are let go; The Company Men provides a closer look following three former employees of a large corporation in different positions who are all downsized. Taking a look how each person is affected differently based on their personal situation.

We see Bobby Walker (Ben Affleck) as the Sales Manager who is so focused on image he continues  playing golf and driving his Porsche refusing to accept that he must start all over. Phil Woodward (Chris Cooper) the guy who put thirty years into the company only now to find out the hard way that his loyalty was not returned, now past his prime and considered too old to get a new job. Gene Mcleary (Tommy Lee Jones) The Executive who helped start the company only to find out that he is now out for not wanting to continue layoffs solely to increase the value of the stock shares. Over the year we see the life of opulence that Bobby has had fall apart, Phil not have the money to provide for his family the way he wants and Gene see the company he helped create change into a company that no longer puts their employees before the bottom line.

Hitting on most points that have been blasted into our heads over the past few years on the evening news, we see the greedy CEO who gets rich while the lowly worker is let go, a company that values its stock shares above all else. And the short sided decision making that will get you through today without thinking about tomorrow.

Affleck, Cooper and Jones all give superb performances, the real drawback of the film is the overly Hollywood ending, When Affleck is outside shouting his power mantra of I will win because I have faith Courage and Enthusiasm! You know everything is going to work out for him and quickly think of how great it would be if that was all it took to change things in the real world. After this scene everyone in his employment outplacement center quickly has a job and all is resolved in the most positive way possible. In a country where we are mostly defined by our profession The Company Men does a fine job exploring this even if the ending seems like it was taken straight from a Disney fairytale.

Grade-82

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